By Franco Moretti
An Atlas of the eu Novel 1800-1900 explores the attention-grabbing connections among literature and area. during this pioneering learn, Franco Moretti provides a clean and fascinating viewpoint at the ecu novel.In a chain of 1 hundred maps, Moretti illuminates the geographical assumptions of nineteenth-century novels and the geographical succeed in of specific authors and genres around the continent. a very good map, he discovers, will be worthy 1000 phrases in posing new questions and permitting us to determine connections that experience thus far escaped us. studying his Atlas, we detect the key constitution of Dickens's and Conan Doyle's London, and notice how the fictitious settings of Austen's Britain, or picaresque Spain, or the France of the Comedie humaine think nationwide identification in numerous methods. In a last bankruptcy on 'narrative markets', Moretti tells us which books have been most well-liked within the provincial libraries of Victorian Britain, and charts the eu diffusion of Don Quixote, Buddenbrooks, and the good nineteenth-century bestsellers.
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Extra info for Atlas of the European Novel 1800-1900
Topography of the Folktale would be justas accurate: two worlds, a buffer, two symmetrical circular movements ... How elegant this pattern is; how ordered. How much more ordered, in fact, than Austen' s world, or Scott' s, or the cities of Balzac's and Dickens'. And it makes sense, the fairy-tale is an axiological form, and this is why its space has such simple, clear features: to construct an unquestionable polarity, and project it onto the world, is precisely its task. But in our disenchanted age, this is no longer possible: knowledge has transformed the world from a system of well-marked moral domains into a complicated geography, period.
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To 21 s. a wcck for a modera te family. Gray: Mixed. So me comfonable, others poor. 'i11k: Fairly comfortable. Good ordinary earnings. Red: Middle class. Well-to-do. Gold: Upper-middle and Upper classes. ' r. The problem Let me begin with a great nineteenth-century map, published in r889, as the appendix to Charles Booth's Life and Labour of the People of London (figure 3 5). The section shown he re (parts of Mayfair, Marylebone, Bloomsbury and Soho) covers only a twentieth of the original, but gives nonetheless a good idea of the work's ambition: a block-by-block investigation of the economic texture of - ·London, with seven colors to stand for seven social groups.
Atlas of the European Novel 1800-1900 by Franco Moretti