By Irvin Ehrenpreis
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Additional info for Acts of Implication: Suggestion and Covert Meaning in the Works of Dryden, Swift, Pope, and Austen (The Beckman Lectures, 1978)
Witness the hostile array in which the professors of the same Christianity, and the members of the same denomination, are placed against each other.... [T]heir holy indignation would lead them, not only to curse the slaveholders, but to curse everybody who will not curse them also; or, at least say amen" ("An Appeal to the Reason" 1314). Because the abolitionists took such an uncompromising position on slavery, national churches with large Southern constituencies often saw the abolitionists as a greater evil than slavery itself, particularly in the early years of abolitionist activism.
Stowe's narrative is a challenging call to action cast in epic and biblical terms, so that individual readers who shared the author's religious and moral values and attitudes, even in part, could not escape the demands for action contained in the novel's rhetorical inventions. The professional or critical debate about the book also began before the book was published as a volume in 1852, but its circulation in parts in the National Era did not generate the level of discourse provoked by the novel in its completed form.
Matriarchy and the Rhetoric of Domesticity, by Susan L. Roberson 116 III Religious Rhetoric and Biblical Influences on Stowe 7. Confronting Antichrist: The Influence of Jonathan Edwards's Millennial Vision, by Helen Petter Westra 141 8. Biblical Typology and the Allegorical Mode: The Prophetic Strain, by Mason I. Lowance, Jr. 159 IV Race and Slavery in Uncle Tom's Cabin 9. Myths and Rhetoric of the Slavery Debate and Stowe's Comic Vision of Slavery, by James Bense 187 10. Stowe's Construction of an African Persona and the Creation of White Identity for a New World Order, by Sarah Smith Ducksworth 205 11.
Acts of Implication: Suggestion and Covert Meaning in the Works of Dryden, Swift, Pope, and Austen (The Beckman Lectures, 1978) by Irvin Ehrenpreis